He was a member of a senatorial family. It belonged to Junius Bassus an urban praetor in the age of Constantine II. This iconography is based on images of the seasons in Roman art. Early Christian theologians attempting to integrate the Old and New Testaments saw in Old Testament stories prefigurations or precursors of New Testament stories. In his role as prefect, Junius Bassus was responsible for the administration of the city of Rome. At either end of the Junius Bassus sarcophagus appear Erotes harvesting grapes and wheat. Both scenes also took place in Rome, and this local interest is part of the balance of Christian and traditional Roman gestures that the sarcophagus shows. Junius Bassus was an important figure, a senator who was in charge of the government of the capital as praefectus urbi when he died at the age of 42 in 359. His father had held the position of Praetorian prefect, which involved administration of the Western Empire. The LibreTexts libraries are Powered by MindTouch® and are supported by the Department of Education Open Textbook Pilot Project, the UC Davis Office of the Provost, the UC Davis Library, the California State University Affordable Learning Solutions Program, and Merlot. Sarcophagus of Junius Bassus, Early Christian Period, c.359 Speakers: Dr. Beth Harris and Dr. Steven Zucker, A YouTube element has been excluded from this version of the text. Early Christian. Mosaic of the Miracle of the Loaves and Fishes. Marble, 3′ 10.5″ by 8′. This is most evident in the image at the center of the upper register. Some figures are portrayed frontally, but certainly not all, and they are not shown in a thoroughly Late Antique manner; the scenes are three-dimensional and have depth and background .... drapery hangs on recognizable human forms rather than being arranged in predetermined folds; heads are varied, portraying recognisably different people. 230) top center “Christ Giving of the Law”. The arrangement of relief scenes in rows in a columnar framework is an introduction from Asia Minor at about this time. The Sarcophagus of Junius Bassus is a marble Early Christian sarcophagus used for the burial of Junius Bassus, who died in 359.It has been described as "probably the single most famous piece of early Christian relief sculpture." A panel with the same subject was probably a part of a pagan sarcophagus made for a child. Both scenes borrow from pagan Roman iconography: in the top one Jesus is sitting with his feet on a billowing cloak representing the sky, carried by Caelus, the classical personification of the heavens. We also acknowledge previous National Science Foundation support under grant numbers 1246120, 1525057, and 1413739. Iunius Annius Bassus was a praetorian prefect of the Roman Empire from 318 to 331, during which time he also held the consulate. But by the middle of the fourth century, Christianity under imperial patronage had become a part of the establishment. [23] The reeds behind Paul probably represent the boggy area of the city where Paul's execution was traditionally believed to have happened. This image was also based on a formula derived from Roman imperial art. His family held high political positions. The youthful, beardless Christ, based on representation of Apollo, vied for dominance with the long-haired and bearded Christ, based on representations of Jupiter or Zeus. In his role as prefect, Junius Bassus was responsible for the administration of the city of Rome. The style and iconography of this sarcophagus reflect the early stages of development of Christian art, with interplay of pagan and Christian imagery. Further small reliefs on the lid, and heads at the corners, are badly damaged. The office of urban prefect was established in the early period of Rome under the kings. Learn vocabulary, terms, and more with flashcards, games, and other study tools. Khan Academy article and video. This is another formula derived from Roman art. The column and many parts of the figures are carved completely in the round. Figure 6. View Description. In contrast to common belief, Christians were not the instigators of preserving the body. Old St. Peter's. In his role as prefect, Junius Bassus was responsible for the administration of the city of Rome. It was a position held by members of the most elite families of Rome. Peter and Paul, early Christian art reveals two competing conceptions of Christ. He had recently become a convert to Christianity, which had only been legal in the Roman Empire for fifty years or so at the time. The early establishment of these formulas was undoubtedly a product of the doctrine of apostolic authority in the early church. THE SARCOPHAGUS of Junius Bassus is perhaps most noted for its style rather than its iconography, although the two are intricately connected. The basilica was constructed in an ancient cemetary. The office of urban prefect was established in the early period of Rome under the kings. The style of the work has been greatly discussed by art historians, especially as its date is certain, which is unusual at this period. The position of Pontius Pilate as the Roman prefect or governor of Judaea undoubtedly carried special meaning for Junius Bassus in his role as praefectus urbi in Rome. [19] There was already a tradition, borrowed from pagan iconography, of depicting Christ the Victor; in this work that theme is linked to the Passion of Jesus, of which the entry to Jerusalem is the start,[20] a development that was to play a great part in shaping the Christian art of the future. c. 359 CE. By the middle of the fourth century Christianity had undergone a dramatic transformation. Throughout Christian art the popularity of Abraham’s Sacrifice of Isaac is explained by its typological reference to the Crucifixion of Christ. small (250x250 max) medium (500x500 max) Large. When Junius Bassus died at the age of 42 in the year 359, a sarcophagus was made for him. Early Christian narratives show the same composition as Roman narratives. It is likely that the inclusion of this scene in the context of the rest of the sarcophagus had another meaning as well. [7] He notes a "lyrical, slightly sweet manner" in the carving, even in the soldiers who lead St Peter to his death, which compares to some small carvings from the Hellenized east in the Cleveland Museum of Art, though they are several decades older. God challenged Abraham’s faith by commanding Abraham to sacrifice his only son Isaac. Sarcophagus of Junius Bassus. For more information contact us at info@libretexts.org or check out our status page at https://status.libretexts.org. The Sarcophagus of Junius Bassus is a marble Early Christian sarcophagus used for the burial of Junius Bassus, who died in 359.It has been described as "probably the single most famous piece of early Christian relief sculpture." A sarcophagus is a large stone or marble “coffin” used to house the body of the deceased. The Old Testament scenes depicted were chosen as precursors of Christ's sacrifice in the New Testament, in an early form of typology. For example the image of Adam and Eve shown covering their nudity after the Fall was intended to refer to the doctrine of Original Sin that necessitated Christ’s entry into the world to redeem humanity through His death and resurrection. Click here to let us know! Humanity is thus in need of salvation from this world. Whereas the Traditio Legis above conveys Christ’s heavenly authority, it is likely that the Entry into Jerusalem in the form of the adventus was intended to signify Christ’s earthly authority. Which is one of the most impressive Christian structures to have survived from the period of early Christianity? Bas-relief from the Arch of Marcus Aurelius, Rome, now in the Capitoline Museum in Rome. The emphasis on scenes of judgement may have been influenced by the career of Bassus as a magistrate, but all the scenes shown can be paralleled in other Christian works of the period. The style and iconography of this sarcophagus reflects the transformed status of Christianity. It was a position held by members of the most elite families of Rome. Comparably the division of the relief into different registers and further subdivided by an architectural framework alludes to the orderly disposition of classical art. The office of urban prefect was established in the early period of Rome under the kings. In all the three scenes where he appears Christ is a youthful, beardless figure with shortish hair (though longer than that of other figures), which is typical of Christian art at this period. Bishops claimed that their authority could be traced back to the original Twelve Apostles. When we speak of iconography, we are referring to the traditional and conventional images or symbols that are associated with a subject, and especially a religious or legendary subject. The scene is based on the formula in Roman art of Justitia, illustrated here by a panel made for Marcus Aurelius. Christ hands Peter a scroll, probably representing the Gospels, as emperors were often shown doing to their heirs, ministers or generals.[16]. The audio conversation was recorded in the year 359, a sarcophagus made..., in front of the deceased as a senior magistrate would also entitled. Christian relief sculpture. wear draped clothing that does not show folds March 2021, at 17:39 more traditional scenes! 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